The Smithsonian museum‘s iconic Sackler and Freer galleries, which have long showcased the exquisite Asian art collections of wealthy Americans, underwent a significant transformation in 2019 with the aim of broadening their appeal. As the National Museum of Asian Art (NMAA) in Washington commemorates its 100th birthday this year, it seeks to redefine its narrative by emphasizing its evolution rather than solely focusing on heritage and tradition. Director Chase F. Robinson believes that the centennial celebrations provide a unique opportunity to engage more closely with local Asian communities and foster a deeper connection.
For many years, the museum had established a stellar reputation for its exceptional collections and conservation efforts, albeit with a somewhat traditional orientation. However, around a decade and a half ago, it took modest steps towards engaging with local Asian communities, and now it is embarking on a major acceleration of those efforts. The renaming of the Freer Gallery of Art and the Arthur M. Sackler Gallery in 2019 to the NMAA signaled a fresh direction for the institution, clarifying its focus on housing one of the world’s largest collections of Asian art.
The transformation of the NMAA reflects the changing landscape of the United States. With Asian-American communities, particularly from East Asia, growing in size, economic influence, and political power, there is a heightened sense of global interconnectedness. The rise of K-pop, the reach of television and film industries, and the vibrancy of the Asian-American community have made this an exciting time to engage with these audiences and create awareness of their rich creative contributions.
The Freer Gallery, envisioned by industrialist Charles Lang Freer, was established in 1923 to showcase his vast Asian art collection, which he generously donated to the US government. This collection included not only Asian art but also significant works by American painter James Abbott McNeill Whistler, who drew inspiration from Japanese art. Freer’s vision was to present a harmonious blend of modern and ancient works, bridging the gap between East and West.
The NMAA’s mission remains unwavering: to offer Asian art the respect it deserves. Its commitment to comparative research methodologies, although unheard of in the late 19th century, is a testament to its dedication to presenting a holistic view of Asian art. Through celebrations of Asian festivals like Lunar New Year, Persian New Year, and Diwali, the museum actively cultivates connections with the present and engages with diverse communities.
As it stands on the National Mall in Washington, the museum holds a unique position to contribute to a deeper understanding of Asian cultures and address cultural divisions within the United States. While it may not be able to eradicate ignorance and misunderstandings comprehensively, its presence and celebrations provide a symbolic representation of pride and unity among Asian-Americans. By attracting thousands of visitors to these events, the NMAA helps shape perceptions and foster a greater appreciation for the rich tapestry of Asian art and culture.
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