On a festive Sunday evening in December 1948, the Hongkong Hotel was the venue for an extraordinary Christmas concert, attended by around two hundred guests, including the esteemed Governor. The event, as reported in historic accounts, was a remarkable blend of orchestral music and choral performances, delivering a holiday spirit that resonated through the hearts of all present.
William Apps conducted the Light Orchestra, accompanied by Victor Orloff. Their youthful ensemble brought to life a diverse program, commencing with the lively and spirited Overture ‘Pique Dame’ by Suppe. The young musicians’ energy set a merry and festive tone for the evening, which transitioned into a more subdued atmosphere with Raff’s ‘Cavatina’, an elegant prelude to the highlight of the evening – the Carol Choir.
The choir, comprised of thirty talented singers from St Stephen’s Girls’ College and Wah Yan College, presented a visual delight in their blue, white, and pure white attires. They began their performance with ‘King Wenceslas’, a piece that, despite its initial subdued tones, gradually unfolded its spirit and enthusiasm, particularly when the audience joined in the final verse, invigorating the choir with newfound confidence.
The solo performances added a personal touch to the night. Joseph Tai’s rendition of ‘Holy Night’, accompanied by the choir’s soft humming, was particularly noteworthy for its clarity and audibility. Another memorable moment was Reginald Ardy’s performance, adding a familial connection with his father’s role as the conductor. ‘We Three Kings of Orient Are’ featured soloist Eric Darkin, whose portrayal, though slightly timid, added a unique charm to the piece.
The concert reached its climax with ‘Hark the Herald Angels Sing’, a piece that saw the audience participating wholeheartedly. The choir and audience’s united voices created a harmonious and heartwarming conclusion to the evening, as the procession gracefully exited the scene.
This historic Christmas concert at the Hongkong Hotel was more than just a musical event; it was a celebration of community spirit, artistic expression, and the joyous essence of the holiday season. It left an indelible mark on the cultural tapestry of Hong Kong, serving as a poignant reminder of the city’s rich artistic heritage and the timeless beauty of music in bringing people together.
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