Outrage in China as Dancing Group Sparks Controversy at Martyrs’ Cemetery

A group of “square dancing aunties” in southwest China has ignited widespread controversy after they were filmed dancing at a martyrs’ cemetery, a site intended to honor fallen heroes from the Red Army’s Long March. Known as “damas,” these groups of mostly middle-aged and elderly women are a common sight across China, gathering in public spaces for vibrant group dance sessions. However, their recent choice of venue at the Zhaxi Chinese Red Army Martyrs’ Cemetery in Yunnan province has been widely condemned.

On September 4, a group of damas began dancing in front of tombstones at the cemetery, a sacred site established to commemorate soldiers who died during the Red Army’s historic retreat between 1934 and 1936. The cemetery, listed as a National Key Martyrs Memorial Protection Unit, spans over 46,000 square meters and holds significant historical importance.

Despite a sign at the entrance clearly stating that dancing is not allowed, cemetery workers reported that people frequently use the area for morning dances before staff arrive. Employees often have to ask these groups to leave and, in some cases, call the police for assistance. A video of the recent incident went viral on Chinese social media platform Weibo, amassing millions of views and sparking outrage among netizens.

Critics condemned the women’s actions as deeply disrespectful to the martyrs, with one person saying, “Such behavior is disrespectful to the soldiers and will bring retribution.” Another Weibo user commented, “The aunties are exploiting the belief that martyrs’ spirits will not harm anyone. It’s shameful.”

The local government issued a statement on September 6 criticizing cemetery staff for poor management and promising to more clearly delineate boundaries between residential areas and the cemetery. They also committed to increasing patrols to prevent future incidents.

While square dancing is a beloved part of Chinese culture, it has occasionally caused tensions with the public. In 2021, a business developed a “stun gun” to disrupt the music systems of these dancing groups, reflecting ongoing friction over public space usage.

This incident highlights the need for balancing cultural practices with respect for sacred spaces in China.

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