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“Creation of the Gods I: Kingdom of Storms” – A Dive into Mythological China

CultureFilm & Tv"Creation of the Gods I: Kingdom of Storms" - A Dive into Mythological China

In an era where fantasy films reign supreme, director Wuershan’s “Creation of the Gods I: Kingdom of Storms” effortlessly carves a niche for itself, bringing the audience a riveting narrative set in the heart of ancient China. Based on the illustrious 16th century novel “The Investiture of the Gods” by Xu Zhonglin, this film is the opening act to an eagerly anticipated trilogy, resonating with history, myth, and ambition.

The storyline transports us over 3,000 years into the past, placing us amid the tumultuous politics of the Shang dynasty (1600BC-1050BC). The intricate tapestry of the plot reveals a treacherous coup led by Lord Yin Shou, masterfully portrayed by Kris Phillips (also known as Fei Xiang). His rise to power in the capital city of Zhaoge is bolstered by the enchanting yet nefarious fox demon who takes over the body of the ravishing Su Daji, daughter to Lord Yin’s fiercest adversary.

Lord Yin’s hunger for domination knows no bounds, as evidenced by his devious plan to kidnap the younger sons of his primary opponents, molding them into his personal guard. Among these captured sons, Ji Fa, offspring of the Western Duke Ji Chang, emerges as a focal character, his allegiance constantly tested by the overwhelming avarice of Lord Yin.

The once-thriving Shang realm descends into chaos and decay, haunted by the ominous Great Curse. This affliction decimates their crops and takes the lives of countless infants, plunging the kingdom into despair. Hope seems faint until Yuanshi Tianzun, a celestial being from the heavenly realm of Kunlun, dispatches three immortal envoys to Earth bearing the Fengshen Bang, a divine scroll with the potential to rejuvenate the kingdom. When the celestial trio encounters Lord Yin, they quickly deduce that such immense power should not fall into his clutches, setting the stage for a thrilling pursuit.

For lovers of classical Chinese literature, “The Investiture of the Gods” stands as a monumental work, previously adapted in numerous renditions, including the 2019 animated phenomenon, “Nezha”. The latter delves into the backstory of a cheeky demon-child who, in Wuershan’s iteration, serves as one of the heavenly messengers.

What sets “Creation of the Gods I: Kingdom of Storms” apart is its immersive journey through Chinese myths, enriched with impeccable production design, relentless action sequences, and sultry episodes of passion, primarily between Lord Yin and his ethereal companion. Phillips, at the age of 62, has amazed viewers with not just his incredible physique but also his unique take on Mandarin pronunciation. As we await the subsequent chapters set to unveil by 2025, expectations are sky-high for Wuershan to maintain this riveting blend of drama, thrill, and visual splendor that has mesmerized audiences.

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