Two art exhibitions in Shenzhen, China, are currently showcasing the profound impact of art in transcending political and social boundaries, particularly between Hong Kong and mainland China. These exhibitions offer a unique perspective on the intertwined histories and destinies of these two regions through the lens of artistic expression.
One highlight is “Landscape CO 1069/452(20) The Mountain, The River, The Valley” (2023) by Law Yuk-mui, featured in “Blue Throat: Acclimated Difference (Part 2)” at Shenzhen’s Hexagon Gallery. Drawing inspiration from historical photographs housed in the UK’s National Archives, Law presents sepia images capturing views from Hong Kong towards Shenzhen. This visual dialogue emphasizes the interconnected yet divergent paths of the two cities.
Joining Law’s pieces are works by Hong Kong-based ink painter Wong Shun-yu. His piece “Some Memories About the Sea” (2021) poignantly depicts the displacement of a Hong Kong fishing village, symbolizing the city’s evolving identity. As traditional lifestyles give way to urbanization, Wong’s mixed-media work captures the haunting absence left behind.
Chris Wan, curator of the “Blue Throat” series, elaborates on the exhibition’s theme, drawing parallels to the Hindu legend of Samudra Manthana. The series aims to address unintended consequences and dualities, resonating with the complex socio-political climate of post-2019 Hong Kong. Wan’s vision is to utilize art as a medium for fostering dialogue that transcends ideological barriers.
Plans are in place to take “Blue Throat” to Tokyo and eventually to Europe and the United States, aiming to initiate cross-cultural discussions and broaden the dialogue surrounding Hong Kong’s unique cultural context.
In a nearby venue, artist Natalie Lo Lai-lai‘s “As Shards of Dawn Shot Through the Dark” at Enclave Contemporary presents a diverse collection of photography, painting, video, and installation. Lo’s work, influenced by her experiences as a farmer and her involvement in the anti-Hong Kong Express Rail Link movement, offers a commentary on environmental and urban development challenges.
Lo’s “A Messenger – Passerby In Our Battlefields” (2022-23) explores themes of habitat loss and migration, striking a chord with audiences currently witnessing Hong Kong’s significant population shifts. The artwork’s narrative, intertwined with the imagery of diverse bird species, speaks to the universal themes of resilience and the importance of roots.
These exhibitions in Shenzhen are more than just displays of art; they are platforms for conversation, understanding, and empathy. Through the visual and narrative power of their work, artists Law Yuk-mui and Natalie Lo Lai-lai offer insights into the complex dynamics of Hong Kong and its relationship with the mainland. Their art serves as a reminder that despite geographical and societal differences, there is a shared human experience that can unite people across borders.
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