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Paul Schrader Reflects on the Lasting Impact of “New Hollywood” at Cannes Film Festival

CulturePaul Schrader Reflects on the Lasting Impact of "New Hollywood" at Cannes Film Festival

Director Paul Schrader reflected on his influential role in the “New Hollywood” movement of the late 1960s during a press conference at this year’s Cannes Film Festival. Schrader, alongside contemporaries like George Lucas and Francis Ford Coppola, recognized early on that their innovative approach to filmmaking was set to change the industry forever. “We didn’t know the long-term ramifications, but we knew we were the first generation that was doing this,” Schrader commented.

This year’s Cannes Film Festival is somewhat of a reunion for these pioneering filmmakers, with Schrader at age 77, Lucas at 80, and Coppola at 85. Schrader is competing for the festival’s top prize, the Palme d’Or, with his film “Oh, Canada,” while Lucas will receive an honorary award at the closing ceremony.

Reflecting on the origins of “New Hollywood,” Schrader cited the success of Dennis Hopper’s 1969 film “Easy Rider” as a critical juncture. The film marked a departure from traditional Hollywood narratives and opened up new possibilities for filmmakers. “All of a sudden ‘Easy Rider’ makes money and there was a golden moment for a period of five or six years when you could walk into a studio and they would actually listen to you,” he explained.

Schrader’s career has been marked by a series of notable collaborations, particularly with Martin Scorsese, for whom he wrote the screenplay for “Taxi Driver.” He also directed seminal works like “American Gigolo” and “Affliction,” which further established him as a key figure in the cinematic movement that challenged and reshaped mainstream American filmmaking.

The presence of these filmmakers at Cannes highlights not only their enduring legacy but also their continued influence on the industry. Schrader’s newest film, “Oh, Canada,” represents a continuation of his commitment to telling compelling, unconventional stories. The competition between Schrader’s and Coppola’s films at the festival underscores the ongoing vitality and relevance of the “New Hollywood” ethos in contemporary cinema.

As the film industry continues to evolve, the foundational changes brought about during the “New Hollywood” era remain evident. Filmmakers like Schrader, Lucas, and Coppola not only transformed how films were made but also how they are conceived creatively and received by audiences around the world.

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