Martial Arts Director Jaden He Brings New Energy to Revamped “House of Dancing Water” in Macau

“A waterfront pavilion gets to enjoy the moonlight first,” a Chinese proverb goes—aptly describing how Jaden He Jingde, a martial arts veteran and Cirque du Soleil alum, found his way into the new edition of Macau’s aquatic spectacle, “House of Dancing Water.” With a background steeped in stage performance and martial choreography, He was a natural fit when producers sought to infuse more Asian martial arts into the revamped show.

The original production, conceived and directed by Franco Dragone, ran from 2010 until it was halted in 2020 due to pandemic restrictions. After Dragone’s passing in 2022, his long-time collaborator Giuliano Peparini stepped in to reimagine the show, which officially reopened on May 7. He, who had worked with both Dragone and Peparini during his time in Las Vegas, was invited to lead the martial arts direction.

He first joined Cirque du Soleil in 2003, contributing to the production Kà as an actor, coach, and choreographer. Now based in Hong Kong, he brings a wealth of experience to “House of Dancing Water,” infusing it with traditional Chinese martial arts such as tai chi and baguazhang. The new version introduces significantly more Asian influence, particularly in its action choreography and use of swordplay.

While the storyline remains built around a familiar narrative—a Western sailor arriving in a mystical land and falling in love—the visual artistry and technical staging make it a compelling experience. The production still features its iconic aquatic stage, which holds a volume equal to over five Olympic swimming pools, along with hydraulic lifts and water curtains. New features, such as a human chandelier and sophisticated laser grids, add fresh layers of spectacle.

With nearly 300 cast and crew members from more than 30 countries, the production is a highly complex undertaking. According to He, timing and precision are everything; a missed cue could result in standing in water instead of on solid stage. Synchronization with music and tech is critical.

He’s decision to return to Asia has proven beneficial. Alongside his current role in Macau, he has also signed on to a Broadway-style production at the Wynn Macau. While several opportunities are coming his way, he remains selective, emphasizing the importance of maintaining high production quality over quantity.

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