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Lisa Lu: A Trailblazer in Hollywood and Hong Kong Cinema

CultureFilm & TvLisa Lu: A Trailblazer in Hollywood and Hong Kong Cinema

Lisa Lu Yan, a veteran actress renowned in Hollywood and Hong Kong cinema, has a career spanning several decades, marked by versatility and resilience. Born in Beijing in 1927, Lu moved to the United States in her early 20s, where her acting career gradually took shape, navigating the challenges of being an Asian actress in Hollywood.

Lu’s early years in Hollywood were a test of her determination. She landed her first film role at 31 in the 1958 movie “China Doll,” directed by Frank Borzage. Despite initially being overlooked for the lead role, Lu’s persistence earned her a part as Two Lotus, showcasing her talent even in limited screen time. Her glamorous appearance and acting skill disproved her modest self-view, making her stand out in the film.

Lu’s next major role came in “The Mountain Road” (1960), where she played Su Mei alongside James Stewart. Her understanding of the character’s cultural background brought authenticity to the role, though Lu expressed dissatisfaction with the final portrayal, feeling her input was disregarded.

Her experience in Marlon Brando’s “One-Eyed Jacks” (1961) was equally challenging. Cast in a significant subplot, Lu’s scenes were eventually cut from the final film due to production issues, a decision that disappointed her.

Despite these setbacks, Lu thrived in American television, especially in Western series. She became a familiar face in shows like “Have Gun, Will Travel,” portraying various characters and demonstrating her adaptability and skill. Her reputation as “One-Take Lisa” in Hollywood was a testament to her professionalism and quick adaptability, crucial in the fast-paced TV industry.

In 1968, Lu’s career took a pivotal turn when she moved to Hong Kong, making a significant impact with her role in “The Arch,” Hong Kong’s first independent art-house film. This led to her collaboration with Shaw Brothers, where she delivered memorable performances in films like “The 14 Amazons” and as the Empress Dowager in Li Hanxiang’s directorials.

Throughout her career, Lu has skillfully balanced roles between East and West, breaking stereotypes and bringing depth to her characters. Her journey is a testament to her resilience in an industry often unaccommodating to diversity. Even at 96, Lu continues to grace the screen, her legacy in cinema undisputed and inspiring to generations of actors.

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