At a recent congress hosted by the Beijing City Landscapes Research Institute, artists specializing in ink mountain-and-water paintings gathered to discuss ways of carrying on the tradition of ink art through depictions of city scenes. The focus of the congress was on how city landscape paintings, as a newly developed genre, can be integrated into landscape art. Members of the institute highlighted that these paintings should portray the changing relations between city dwellers and their surroundings, as well as between cities and nature.
The artists agreed that city landscape paintings are a unique way to explore the interaction between urbanization and nature. They emphasized the importance of capturing the essence of the urban environment and preserving the beauty of nature within it. They also stressed the significance of staying true to traditional ink painting techniques while incorporating new methods and technologies to create innovative works of art.
One of the key takeaways from the congress was the need to continuously experiment and innovate with the genre of city landscape painting. The artists discussed various techniques, such as using aerial photography and digital media, to capture the complexity and dynamism of cityscapes. They agreed that artists must adapt to the ever-changing urban landscape to create impactful and meaningful works of art.
the congress was a platform for artists to exchange ideas and perspectives on the future of city landscape painting. The discussions focused on how to create paintings that reflect the changing urban environment while staying true to traditional ink painting techniques. The artists emphasized that the genre of city landscape painting is an important form of artistic expression that can highlight the connection between cities and nature.
During the congress, Yang Liuyi and Lin Rongsheng were elected as chairman and vice-chairman, respectively. Yang expressed the organization’s commitment to creating and exhibiting works that celebrate Beijing’s evolving appearance. Furthermore, he emphasized that the institute will continue to collaborate with painters and groups in other areas for mutual learning.
As the newly appointed chairman, Yang Liuyi highlighted the importance of promoting collaboration and cooperation between artists to enrich the genre of city landscape painting. He emphasized that the organization’s focus will be on exploring new techniques and incorporating innovative methods to create works of art that reflect the dynamism of the urban landscape.
Overall, the election of Yang Liuyi and Lin Rongsheng as chairman and vice-chairman marks a new chapter for the Beijing City Landscapes Research Institute. With their leadership, the organization will continue to play a pivotal role in promoting the genre of city landscape painting and fostering collaboration and innovation among artists.
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