“The Volunteers” Trilogy: A Comprehensive Perspective on China’s Role in the Korean War

War films have long been a powerful genre in cinema, capable of evoking deep emotions and reflections on the human experience in times of conflict. Classic Western war films have often portrayed individual struggles and the broader impact of war, offering audiences a glimpse into the brutality of combat and the resilience of the human spirit.

While peace should be cherished, it is sometimes necessary to confront the reality that it cannot be maintained solely through the goodwill of others. To ensure lasting peace, it is imperative to possess the strength to deter potential threats.

China has produced a wealth of exceptional films and television works that depict the War to Resist US Aggression and Aid Korea (1950-53). Notable titles include “The Sacrifice,” “The Battle at Lake Changjin,” and the TV drama “Medal of the Republic.” While these works often focus on specific battles and heroic individuals, they generally lack a comprehensive narrative that elucidates the historical context and macro-level factors driving China’s involvement in the war.

“The Volunteers” trilogy aims to fill this narrative gap. Comprising three distinct parts, this trilogy offers a sweeping depiction of China’s role in the Korean War, presenting history from the perspective of individuals to that of the nation. Its primary goal is to convey to audiences, especially the younger generation, the reasons behind China’s decision to engage in the conflict.

The Korean War was not merely a civil war between North and South Korea. The involvement of UN forces, led by the United States, and their crossing of the 38th parallel posed a direct threat to China’s national interests. It underscored the imperative for China to safeguard its interests with foresight and resolve.

Sending troops to Korea was one of the most challenging decisions faced by Chairman Mao Zedong. As the newly established People’s Republic of China was gearing up for industrialization in its northeastern provinces, refraining from action would have severely jeopardized China’s interests.

The first film in the trilogy, “The Volunteers: To The War,” places the war within the context of the Cold War and succinctly explains why China’s intervention was akin to “throwing one punch to avoid a hundred punches.” It highlights Chairman Mao’s initial hope for support from the Soviet Union for domestic industrial and economic development. However, the absence of clear Soviet assistance, coupled with the self-serving agendas of both the United States and the Soviet Union, left China in a precarious position. Safeguarding its borders was essential for China’s independent existence in the global arena.

Critiques of the film that label it as merely depicting “violence and bloodshed” miss the mark. “The Volunteers” trilogy goes beyond that, illustrating that resisting US aggression and aiding Korea was not a mere “patriotic slogan” but the highest form of tribute to extraordinary individuals.

Of note is the portrayal of the Chinese delegation at the UN Security Council meeting, a seldom-covered aspect in previous films on the same subject. This underscores that the War to Resist US Aggression and Aid Korea was not solely a struggle for the establishment of the People’s Republic of China; it was also a spiritual baptism for the Chinese nation. Gaining legitimacy and recognition on the world stage was crucial for the new Chinese government.

In the film, a returning military-industrial expert demonstrates the stark power disparity between China and the US, questioning the wisdom of “using eggs to hit rocks.” Premier Zhou Enlai’s heartfelt response encapsulates the essence: “If we don’t fight, China will once again lose the opportunity for survival.”

The fundamental key to the victory of the War to Resist US Aggression and Aid Korea lies in the unwavering belief of the Chinese people in safeguarding their national interests and survival. By highlighting this core belief, the trilogy weaves together diverse narratives, connecting the preparations for battle to every soldier of the Chinese People’s Volunteers.

From Commander Peng Dehuai to Red Army veteran Li Moyi, from the comrades in the same squad to Mao Anying, Chairman Mao’s eldest son, the trilogy presents a tapestry of narratives, showcasing the sacrifices made for peace and survival. It offers a compelling testament to why the military spirit of the Chinese People’s Volunteers deserves to be remembered.

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