Tony Leung and Andy Lau Reunite in “The Goldfinger” – A Thrilling Dive into Financial Drama

Tony Leung Chiu-wai and Andy Lau Tak-wah, two of Hong Kong’s most celebrated cinematic stars, have reunited on screen in the much-anticipated financial drama, “The Goldfinger.” This marks a significant reunion for the duo, who first collaborated nearly 40 years ago and last worked together in the renowned 2002 cop-crime saga “Infernal Affairs” and its sequels.

During a recent video interview, the camaraderie between Leung and Lau was evident, despite Leung noting that their rapport is mostly built on-screen. Leung, at 61, dressed in an autumn-brown jumper and check trousers, and Lau, at 62, wearing a diamond-pattern blue sweater, expressed mutual admiration for each other’s professionalism and dedication to their craft.

Leung shared his admiration for Lau’s seriousness and professionalism, while Lau commended Leung for his professional yet easy-going nature. They reflected on their previous roles, with Leung fondly recalling Lau’s performance in “Infernal Affairs” and Lau appreciating Leung’s memorable scene in Wong Kar-wai’s 1990 film “Days of Being Wild.”

“The Goldfinger” presents them in roles opposite to those they played two decades ago in “Infernal Affairs.” Set in the 1980s, the film features Leung as Ching Yat-yin (Henry Ching), a corrupt tycoon at the helm of a multibillion empire, Carmen Century Group, whose downfall wreaks havoc on stockholders. Lau portrays Lau Kai-yuen, a senior investigator at the Independent Commission Against Corruption (ICAC), determined to bring Ching to justice.

Inspired by true events, the film’s narrative spans over a decade, offering a complex and exuberant story of financial intrigue. Leung believes the theme of financial crimes will resonate globally, as it’s a universal phenomenon. The role of Ching presented Leung with a rare opportunity to play an antagonist, a challenge he embraced with enthusiasm.

In contrast, Lau’s character represents justice, with his pursuit of Ching adding depth to the story. Leung’s portrayal of Ching is particularly notable, as he adopts three different looks to depict varying ages, relying on traditional makeup and prosthetics rather than digital de-ageing techniques.

Director Felix Chong Man-keung, who co-wrote the “Infernal Affairs” trilogy, has infused “The Goldfinger” with a dynamic, high-octane style. Leung drew inspiration from Wall Street con men for his role, likening the film to a blend of “American Hustle” and “The Wolf of Wall Street,” but set in the unique context of Hong Kong.

The film, with its HK$350 million (US$45 million) budget, is one of Hong Kong’s most ambitious projects, featuring extravagant scenes, including a memorable sequence with dancing girls in a boardroom, reminiscent of a Busby Berkeley-style number, and an intense battle scene with tanks and helicopters.

Leung and Lau also discussed the evolution of the Hong Kong film industry, highlighting the need for a larger market and more diverse storytelling. They see streaming platforms as potential catalysts for growth and express a desire for more internationalized content. “The Goldfinger” incorporates anime techniques, showcasing a willingness to experiment with different styles.

In their view, the Hong Kong film industry has shifted towards more local stories in recent years, resonating with domestic audiences. Films like “The Goldfinger” have the potential to revitalize the industry, especially if Hollywood expresses interest in remakes, as was the case with “Infernal Affairs” and “The Departed.”

Speculating on potential Hollywood counterparts, Leung playfully suggested Leonardo DiCaprio for his role, while Lau, half-jokingly, wished for Daniel Day-Lewis, despite his retirement from acting. This reunion of Leung and Lau in “The Goldfinger” not only celebrates their storied careers but also highlights the ongoing vitality and potential of Hong Kong cinema.

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