“Look Back”: A Nostalgic Dive into Artistic Passion by Tatsuki Fujimoto

Tatsuki Fujimoto’s 2021 manga Look Back is a departure from the usual intensity of his works like Fire Punch and Chainsaw Man. This one-shot manga is a nostalgic exploration of the creative journey of two schoolgirls who share a deep love for drawing. The story delves into complex themes such as jealousy, grief, and the power of friendship, posing profound questions about what truly motivates an artist to create.

Look Back has now been brought to life in a new format, thanks to animator Kiyotaka Oshiyama. The adaptation, which runs just under an hour, captures the emotional depth and nostalgic tones of the original manga, offering a fresh experience to a broader audience.

The story revolves around Fujino (voiced by Yuumi Kawai), a young girl who gains admiration from her classmates for her witty four-panel yonkoma comic strips published in the school newspaper. However, when she is asked to share the newspaper space with the reclusive Kyomoto (Mizuki Yoshida), Fujino is taken aback by the intricate and emotionally charged sketches that Kyomoto produces. Overwhelmed by a sense of inadequacy, Fujino considers giving up drawing altogether.

Everything changes when Fujino is tasked with delivering Kyomoto’s graduation certificate. She discovers that her seemingly distant and enigmatic rival is actually her biggest supporter. This revelation sparks a deep friendship, and the two girls begin collaborating on manga, achieving significant success. Yet, as opportunities arise, Kyomoto decides to pursue formal art education, leaving Fujino to navigate the industry alone.

Oshiyama’s film, rendered in a simple yet poignant hand-drawn style, gently draws viewers into the evolving relationship between the two girls. The narrative’s measured pace and understated approach allow the emotional layers of their bond to subtly unfold, making the eventual impact of their journey profoundly moving.

In its final act, the film introduces elements of fantasy, blending reality with the vast expanse of Fujino’s imagination. This blurring of lines between the real and the surreal is reminiscent of the works of Hayao Miyazaki and Makoto Shinkai, with whom Oshiyama previously collaborated. These influences are evident in the film’s ability to seamlessly intertwine the magical with the mundane.

With Look Back, both Oshiyama and Fujimoto seem to be embracing a new chapter in their creative careers, moving away from the escapism of their earlier works to engage with more introspective and personal themes. The film serves as a reflection on the youthful passion that fuels creativity and the inevitable changes that come with age. As they look ahead, the future holds great promise for both creators.

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